Parkett Vol. 26 - 1990 | Günther Förg, Philip Taaffe

Günter Förg and Philip Taaffe are the collaboration artists in this volume, with texts by John Caldwell, Catherine Queloz, Wilfried Dickhoff, Jeff Perrone, Francesco Pellizzi, G. Roger Denson. The insert was designed by Peter Greenaway.

And further contributions by Bice Curiger “Interview: Sigmar Polke,” Hans-Ulrich Obrist “Roman Signer’s Concept of Sculpture,” David Levi Strauss “American Beuys: I Like America and America Likes me.”

Bette Talvacchia is the author of Les Infos du Pardis, Cumulus from Europe and America by Hans Hickel and Group Material, and a Balkon by Peter Fleissig.

Table of Content

Sigmar Polke, An Interview by Bice Curiger

Günther Förg
Modernism and Günther Förg’s Photographs by John Caldwell
At the Crossroads of Disciplines by Catherine Queloz

Philip Taaffe
Philip Taaffe – History is in the Making by Jeff Perrone
A Propos Philip Taaffe by Edmund White
Fragment on Ornament by Francesco Pellizzi
Philip of Naples and the Evocative Geometry of History by G. Roger Denson

Peter Greenaway, Insert

Roman Signer’s Concept of Sculpture by Hans Ulrich Obrist

American Beuys – I Like America & America Likes Me by David Levi Strauss

Dead Ringers Dissected: Some Images, Les Infos du Paradis by Bette Talvacchia

The Finitness of Freedom, An Exhibition in Berlin, 1990, Cumulus from Europe by Hans Dickel

Cumulus from America by Group Material

The Late Twentieth Century by Peter Fleissig