The Complete Collection of all Editions

Shirana Shahbazi, Insert for Parkett 60

Video of all 215 works in the collection of all editions. Click to view 10 min. presentation (soundtrack by Yello)

The collection of all editions to date includes 270 works made by artists from over forty countries especially for Parkett. This page gives a short introduction to the collection with some exhibition views from museums, that have presented the collection.


View the video of all works (running time: 10min./ soundtrack by Yello).
View the virtual museum
View a detailed description of all editions
For further information please contact Parkett.
 
Artist List

Parkett Artists, 1984 – 2017 (vol. 1 – 100/101)

"Commissioned by PARKETT, the most important artists of our time have created editions that represent the essence of their art or reveal an unexpected dimension. The works cover every possible medium including painting, photographs, drawings, prints, sculptures, videos, DVDs,and sound pieces."

Iwona Blazwick, Director, The Whitechapel Art Gallery, London

“… the diversity of works on view offer a sense of what artists can do with the challenge of how to distill their practices into a single, compact object or image … in doing so the show goes beyond traditional notions of space, scale and scope, in ways both subversive and poetic.”

Philip Tinari, Director, Ullens Center for Contemporary Art, Beijing

View artists' list alphabetically and chronologically (pdf)
 
Maurizio Cattelan, Parkett 59

Catalogue Raisonné of all Editions (in English, Japanese, Chinese, and Korean)

The collection of all editions is fully documented and illustrated in Parkett’s catalogue raisonné, published in English, Chinese (simplified & traditional), Japanese and Korean.
The catalogue features essays by Deborah Wye, Curator, MoMA, New York, Susan Tallman and others, including full page color reproductions of all works, 512 pages.

 
Maurizio Cattelan, Parkett 59

New York, Museum of Modern Art,
"Collaborations with Parkett, 1984 to Now," 2001

"The MoMA collection contains numerous examples of editions by the most significant artists of the modern period... the editions made for PARKETT carry on this rich tradition."

Deborah Wye, Chief Curator emerita,
Prints and illustrated Books, Museum of Modern Art, New York

 
Maurizio Cattelan, Parkett 59

Beijing, UCCA,
"Inside a Book a House of Gold," 2012

"... a wonderland of ... fantastical treasures ... the scope and quality of what is on display, not to mention the artists involved ... make this show one of the strongest so far this year"

Time-Out, Beijing

 
Maurizio Cattelan, Parkett 59

Zurich, Kunsthaus,
"Parkett -20 Years of Artists' Collaborations," 2004

"... Parkett’s editions highlight the Zeitgeist, the hopes and fears of artists in the globalized world, their questions of identity, of past and future, their zest for life, and their creation of new utopias..."

NZZ, Zurich

 
Maurizio Cattelan, Parkett 59

Kanazawa, Japan 21st Century Museum of Contemporary Art
"200 Artwork – 25 Years," 2009

"If you want to see the entire forest, in terms of contemporary art, instead of looking at trees, this exhibition is a fitting choice. While blockbuster exhibitions usually focus on a single artist or group, the exhibition showcases 200 artworks by as many world-renowned artists ... offering a stunning wrap up of contemporary art at a glance."

Korea Herald, Seoul

 
Maurizio Cattelan, Parkett 59

Paris, Centre Pompidou,
La Revue Parkett, 1987

"A show of the work produced for a revolutionary magazine functions as a mini-museum of the recent time."

Financial Times, London

 
Maurizio Cattelan, Parkett 59

Cuenca, Spain
University Castilla La Mancha, Arts Faculty Permanent Parkett Viewing Room and Study Center (open since 2010)

"The collection allows the University to present a dynamic, lively museum in full dialogue with the main centers of contemporary art in Spain. Together with the artworks, the Faculty also displays all Parkett volumes published since 1984, and in doing so fully reflects Parkett's unique character as a small museum and large library. 'The scholarly and teaching character of this collection is very significant' concludes the Faculty's vice dean."

El Mundo, Madrid