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Sue Williams | "Untitled (Edition for Parkett", 1997 | (for Parkett 50/51)

€2,000.00

Read a Parkett text on Sue Williams
Parkett Vol. 50/51

Quote from Parkett
“Filled with the frenetic, automatic energy of sex, Williams’ elaborate webs seem like vast abstract tissues of unconscious material being woven in someone’s head. To make private traumas public can sometimes seem to be a strangely depriving experience for what remains of a sense of self. Williams says that when she’s alone with herself she sometimes gives herself ‘the willies,’ but by transforming these neuroses into high-spirited aesthetic practice she has found a way of giving them to us instead.”
Leslie Camhi, Parkett No. 50/51, 1997

"Untitled (Edition for Parkett", 1997 (for Parkett 50/51)
Three-layer lithograph on transparent archival Mylar,
each image-layer printed in a different color on a separate loose sheet,
10 x 16 1/2” (25,5 x 42 cm),
printed by Maurice Sanchez and James Miller, Derrière L’Etoile Studio, New York,
Ed. 60/XXV, signed and numbered

Very limited availability

Read a Parkett text on Sue Williams
Parkett Vol. 50/51

Quote from Parkett
“Filled with the frenetic, automatic energy of sex, Williams’ elaborate webs seem like vast abstract tissues of unconscious material being woven in someone’s head. To make private traumas public can sometimes seem to be a strangely depriving experience for what remains of a sense of self. Williams says that when she’s alone with herself she sometimes gives herself ‘the willies,’ but by transforming these neuroses into high-spirited aesthetic practice she has found a way of giving them to us instead.”
Leslie Camhi, Parkett No. 50/51, 1997

"Untitled (Edition for Parkett", 1997 (for Parkett 50/51)
Three-layer lithograph on transparent archival Mylar,
each image-layer printed in a different color on a separate loose sheet,
10 x 16 1/2” (25,5 x 42 cm),
printed by Maurice Sanchez and James Miller, Derrière L’Etoile Studio, New York,
Ed. 60/XXV, signed and numbered

Very limited availability

Artist’s Document

Sue Williams' three part lithograph on transparent mylar for Parkett 50/51 is being assembled by master printer Maurice Sanchez.

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Contribution to Parkett 100/101

“I have been receiving Parkett Magazine/book for about 20 years for free. I don’t get any other magazines …, and I hate to see it go into the cloud whatever that is. I don’t want to have to think of a specific artwork and have a temporary look and it’s gone. It’s nice to take the magazines out and be surprised … I, and I’m sure many others, have profited in the exposure and (money)…”

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