Read a Parkett text on Richard Prince
Parkett Vol. 34
Quote from Parkett
“Prince’s style of appropriation is not about the transgressive aspect of the process, that is, stealing from popular culture to turn it inside out and reveal its manipulative aspect; rather, he mines it to unearth the myths that crystallize American culture.”
Daniela Salvioni, Parkett No. 34, 1992
"Good Revolution", 1992 (for Parkett 34)
Presentation gold record with engraved plaque mounted
on C-print, framed, includes a playable vinyl record by the artist,
recorded both sides, “Good Revolution” (1:46) and “Don’t Belong” (1:46),
arranged and performed by Richard Prince,
recorded and mixed at Harmonic Ranch by Mark Degliantoni, September 1992,
20 1/2 x 16 1/2” (52 x 41,9 cm),
Ed. 80/XX, signed and numbered
Read a Parkett text on Richard Prince
Parkett Vol. 34
Quote from Parkett
“Prince’s style of appropriation is not about the transgressive aspect of the process, that is, stealing from popular culture to turn it inside out and reveal its manipulative aspect; rather, he mines it to unearth the myths that crystallize American culture.”
Daniela Salvioni, Parkett No. 34, 1992
"Good Revolution", 1992 (for Parkett 34)
Presentation gold record with engraved plaque mounted
on C-print, framed, includes a playable vinyl record by the artist,
recorded both sides, “Good Revolution” (1:46) and “Don’t Belong” (1:46),
arranged and performed by Richard Prince,
recorded and mixed at Harmonic Ranch by Mark Degliantoni, September 1992,
20 1/2 x 16 1/2” (52 x 41,9 cm),
Ed. 80/XX, signed and numbered
Listen to the single vinyl record (attached in an envelope to the back of the frame), with a song performed by Richard Prince’s band, including a spoken joke (at 1: )
Artist Video
In this short video excerpt Richard Prince talks about some aspects of his art.
Parkett Text
Read a selected text on Richard Prince
Parkett Cover
Richard Prince’s cover for Parkett no. 34 alongside Ilya Kabakov
