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PARKETT books and editions on contemporary art
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All Editions Laura Owens | "Untitled", 2002 | (for Parkett 65)
Owens_Laura_Parkett65.jpg Image 1 of
Owens_Laura_Parkett65.jpg
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Laura Owens | "Untitled", 2002 | (for Parkett 65)

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Read a Parkett text on Laura Owens
Parkett Vol. 65

Quote from Parkett
“The work has a double life, the parts of which are separate, yet deeply connected. On one level, it’s a picture of a better world: a peaceable kingdom where all of nature co-exists in idyllic harmony. On another, simultaneous, level, it’s a painting: an elaborately composed arrangement of paint on canvas that is inevitably part of a complex dialogue with the whole history of the medium. There is a constant back and forth between the creation of a pictorial world and the act of painting itself. For the work to be successful, a certain harmony needs to be achieved that will encompass both elements.”
Russell Ferguson, Parkett No. 65, 2002

Laura Owens "Untitled", 2002 (for Parkett 65)
Handprinted 10-color lithograph on tan BFK Rives
with three collage elements: one handpainted with watercolor
on blue Magnani Pescia, two on white BFK Rives,
the color of the moon will vary with each print,
18 x 12” (46 x 30,6 cm), printed by Ed Hamilton, Hamilton Press, Venice, California,
Ed. 70/XXIV, signed and numbered on the back

Sold Out. For updates on availability, please inquire by joining our waiting list

Add To Cart

Read a Parkett text on Laura Owens
Parkett Vol. 65

Quote from Parkett
“The work has a double life, the parts of which are separate, yet deeply connected. On one level, it’s a picture of a better world: a peaceable kingdom where all of nature co-exists in idyllic harmony. On another, simultaneous, level, it’s a painting: an elaborately composed arrangement of paint on canvas that is inevitably part of a complex dialogue with the whole history of the medium. There is a constant back and forth between the creation of a pictorial world and the act of painting itself. For the work to be successful, a certain harmony needs to be achieved that will encompass both elements.”
Russell Ferguson, Parkett No. 65, 2002

Laura Owens "Untitled", 2002 (for Parkett 65)
Handprinted 10-color lithograph on tan BFK Rives
with three collage elements: one handpainted with watercolor
on blue Magnani Pescia, two on white BFK Rives,
the color of the moon will vary with each print,
18 x 12” (46 x 30,6 cm), printed by Ed Hamilton, Hamilton Press, Venice, California,
Ed. 70/XXIV, signed and numbered on the back

Sold Out. For updates on availability, please inquire by joining our waiting list

Read a Parkett text on Laura Owens
Parkett Vol. 65

Quote from Parkett
“The work has a double life, the parts of which are separate, yet deeply connected. On one level, it’s a picture of a better world: a peaceable kingdom where all of nature co-exists in idyllic harmony. On another, simultaneous, level, it’s a painting: an elaborately composed arrangement of paint on canvas that is inevitably part of a complex dialogue with the whole history of the medium. There is a constant back and forth between the creation of a pictorial world and the act of painting itself. For the work to be successful, a certain harmony needs to be achieved that will encompass both elements.”
Russell Ferguson, Parkett No. 65, 2002

Laura Owens "Untitled", 2002 (for Parkett 65)
Handprinted 10-color lithograph on tan BFK Rives
with three collage elements: one handpainted with watercolor
on blue Magnani Pescia, two on white BFK Rives,
the color of the moon will vary with each print,
18 x 12” (46 x 30,6 cm), printed by Ed Hamilton, Hamilton Press, Venice, California,
Ed. 70/XXIV, signed and numbered on the back

Sold Out. For updates on availability, please inquire by joining our waiting list


 

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