Theaster Gates | "Soul Bowls", 2016 | (for Parkett 98)

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Read a Parkett text on Theaster Gates
Parkett Vol. 98

Quote from Parkett
"Of course, Gates's buildings, ceramics, sculptures, performances, events, and finances are executed by many hands, minds, eyes, and voices. This too is sign of his cosmopolitanism - his willingness to be constantly in exchange with others, and to encourage exchanges among individuals. These exchanges are central to his objects and environments, however beautiful they may be."
Christine Mehring & Sean Keller, Parkett No. 98, 2016

"Soul Bowls", 2016 (for Parkett 98)
Stoneware with glaze, two bowls,
one in black and one in white, each unique,
diameter 4–5” (10 –13 cm), height 3–3 1/2” (7–9 cm), weight ca. 1,2 lbs. each.
Packed in box with Association of Named Negro American Potters (A.N.N.A.P.) Logo,
Ed. 15/X, signed and numbered certificate

Sold Out. For updates on availability, please inquire by joining our waiting list

Read a Parkett text on Theaster Gates
Parkett Vol. 98

Quote from Parkett
"Of course, Gates's buildings, ceramics, sculptures, performances, events, and finances are executed by many hands, minds, eyes, and voices. This too is sign of his cosmopolitanism - his willingness to be constantly in exchange with others, and to encourage exchanges among individuals. These exchanges are central to his objects and environments, however beautiful they may be."
Christine Mehring & Sean Keller, Parkett No. 98, 2016

"Soul Bowls", 2016 (for Parkett 98)
Stoneware with glaze, two bowls,
one in black and one in white, each unique,
diameter 4–5” (10 –13 cm), height 3–3 1/2” (7–9 cm), weight ca. 1,2 lbs. each.
Packed in box with Association of Named Negro American Potters (A.N.N.A.P.) Logo,
Ed. 15/X, signed and numbered certificate

Sold Out. For updates on availability, please inquire by joining our waiting list

Browse additional documentation of the unique stoneware by Theaster Gates for his “Soul Bowls” project for Parkett 98:

Artist Document
Theaster Gates throwing pottery as part of his installation Theaster Gates, Three or four Shades of Blues, 2015 at the Istanbul Biennial.

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