Browse all ten components from Trisha Donnelly’s "The Dashiell Delay – an Edition Subscription":
Parkett Text
Read a selected text on Trisha Donnelly
Artist Video
In this short video excerpt Trisha Donnelly talks about some aspects of her art.
Read a Parkett text on Trisha Donnelly
Parkett Vol. 77
Quote from Parkett
“Trisha Donnelly, whose exhibitions suggest a fundamentally iconoclastic approach, and who—even in the sparsest showing of her pictures—will punctuate their reception with unexpected bursts of sound (in the same way that film scores influence one’s perception of the images on screen), seems to be particularly interested in pictures, or rather in the reconfiguration of our perception of pictures. She has immense faith in the ‘pictures’ that she creates through drawing, video, photography, sound, text, and ‘demonstrations,’ for her use of different media always plumbs the depths of that realm, where, through force of will, fantasy, and imagination, ‘things’ actually come to exist and have meaning.”
Beatrix Ruf, Parkett No. 77, 2006
Additional Quote
“Akin to her site-specific practice, Donnelly here involves the collector in the process of art production and reception. She conceives an edition subscription, where a total of 10 installments are made and delivered regularly over the period of one year. Consisting of four Xeroxes, three gelatin silver prints, one line-block, one felt-tip pen drawing, and marble slab, this edition makes for twelve months of mystery: ten unpredictable messages that will (or will not) be decoded in the record left behind.” -Fineartmultiple
"The Dashiell Delay – an Edition Subscription", 2006 (for Parkett 77)
Edition in 10 installments made and delivered every 1–2 months over a period of one year, varied media, each approx. 8 x 10” (20 x 25 cm),
Ed. 45/XXV, signed and numbered certificate
Read a Parkett text on Trisha Donnelly
Parkett Vol. 77
Quote from Parkett
“Trisha Donnelly, whose exhibitions suggest a fundamentally iconoclastic approach, and who—even in the sparsest showing of her pictures—will punctuate their reception with unexpected bursts of sound (in the same way that film scores influence one’s perception of the images on screen), seems to be particularly interested in pictures, or rather in the reconfiguration of our perception of pictures. She has immense faith in the ‘pictures’ that she creates through drawing, video, photography, sound, text, and ‘demonstrations,’ for her use of different media always plumbs the depths of that realm, where, through force of will, fantasy, and imagination, ‘things’ actually come to exist and have meaning.”
Beatrix Ruf, Parkett No. 77, 2006
Additional Quote
“Akin to her site-specific practice, Donnelly here involves the collector in the process of art production and reception. She conceives an edition subscription, where a total of 10 installments are made and delivered regularly over the period of one year. Consisting of four Xeroxes, three gelatin silver prints, one line-block, one felt-tip pen drawing, and marble slab, this edition makes for twelve months of mystery: ten unpredictable messages that will (or will not) be decoded in the record left behind.” -Fineartmultiple
"The Dashiell Delay – an Edition Subscription", 2006 (for Parkett 77)
Edition in 10 installments made and delivered every 1–2 months over a period of one year, varied media, each approx. 8 x 10” (20 x 25 cm),
Ed. 45/XXV, signed and numbered certificate
Browse all ten components from Trisha Donnelly’s "The Dashiell Delay – an Edition Subscription":
Parkett Text
Read a selected text on Trisha Donnelly
Artist Video
In this short video excerpt Trisha Donnelly talks about some aspects of her art.