Parkett Vol. 29 - 1991 | John Baldessari, Cindy Sherman

Cindy Sherman and John Baldessari are the collaboration artists in this issue, with contributions by Howard Singerman, Thomas Lawson, Patrick Frey, James Lewis, Dave Hickey, Susan A. Davies, Ursula Pia Jauch, Elfriede Jelinek, Norman Bryson, Wilfried Dickhoff, Abigail Solomon-Godeau. The Insert was designed by Niele Toroni.

And Theodora Vischer in conversation with Maria Nordmann, Claude Ritschard about “Pierre Klossowski,” Rudolf Schmitz about “John Chamberlain in Baden Baden.”

Les Infos du Paradis by Marie-Louise Lienhard, the authors of the Cumulus from Europe and America are Helmut Draxler and Lynn Gumpert, the Balkon is by Robert Ashley.

Table of Content

Moveable Structure / House in an Open Place by Theodora Vischer & Maria Nordmann

Pierre Klossowski – New Apparitions of the Baphomet by Claude Ritschard

John Baldessari
Rereading a Fugitive Essay by Howard Singerman
The Theatre of the Mind by Thomas Lawson
Dialogue, Teachings by Patrick Frey
Baldessari’s Timing by James Lewis
John Baldessari’s True Colors by Dave Hickey
Excerpt from Maya. A Story by Susan A. Davis

Cindy Sherman
I am Always the Other by Ursula Pia Jauch
Sidelines by Elfriede Jelinek
The Ideal and the Abject by Norman Bryson
Untitled Nr. 179 by Wilfried Dickhoff
Suitable for Framing by Abigail Solomon-Godeau

Niele Toroni, Insert

John Chamberlain in Baden-Baden by Rudolf Schmitz

You Can’t Make Art by Making Art, Les Infos du Paradis by Marie-Louise Lienhard

Articulatory Practice, The Message is the Medium, Cumulus from Europe by Helmut Draxler

Cumulus from America by Lynn Gumpert

On Perfect Lives – An Opera for Television by Robert Ashley