Alex Katz | "Black Pond", 1989 | (for Parkett 21)
Read a Parkett text on Alex Katz
Parkett Vol. 21
Quote from Parkett
“Alex Katz practices a very particular kind of society portraiture. His paintings may resemble billboards, or they may adopt the more intimate scale of the painted sketch, but they are always… portraits in an extended sense—slices of life ennobled by a deadpan iconic American eye.”
Brooks Adams, Parkett No. 21, 1989
"Black Pond", 1989 (for Parkett 21)
Woodcut on Goya paper,
11 3/8 x 18 1/8” (32.5 x 48.5 cm),
printed by John C. Erickson, New York,
Ed. 100/XX, signed and numbered
Sold Out. For updates on availability, please inquire by joining our waiting list
Read a Parkett text on Alex Katz
Parkett Vol. 21
Quote from Parkett
“Alex Katz practices a very particular kind of society portraiture. His paintings may resemble billboards, or they may adopt the more intimate scale of the painted sketch, but they are always… portraits in an extended sense—slices of life ennobled by a deadpan iconic American eye.”
Brooks Adams, Parkett No. 21, 1989
"Black Pond", 1989 (for Parkett 21)
Woodcut on Goya paper,
11 3/8 x 18 1/8” (32.5 x 48.5 cm),
printed by John C. Erickson, New York,
Ed. 100/XX, signed and numbered
Sold Out. For updates on availability, please inquire by joining our waiting list
Read a Parkett text on Alex Katz
Parkett Vol. 21
Quote from Parkett
“Alex Katz practices a very particular kind of society portraiture. His paintings may resemble billboards, or they may adopt the more intimate scale of the painted sketch, but they are always… portraits in an extended sense—slices of life ennobled by a deadpan iconic American eye.”
Brooks Adams, Parkett No. 21, 1989
"Black Pond", 1989 (for Parkett 21)
Woodcut on Goya paper,
11 3/8 x 18 1/8” (32.5 x 48.5 cm),
printed by John C. Erickson, New York,
Ed. 100/XX, signed and numbered
Sold Out. For updates on availability, please inquire by joining our waiting list
Artist Video
In this short video excerpt Alex Katz talks about some aspects of his art.
