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All Editions Richard Artschwager | "Untitled (1000 Cubic Inches)", 1996 | (for Parkett 46)
Artschwager_Richard_Parkett46.jpg Image 1 of
Artschwager_Richard_Parkett46.jpg
Artschwager_Richard_Parkett46.jpg

Richard Artschwager | "Untitled (1000 Cubic Inches)", 1996 | (for Parkett 46)

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Read a Parkett Text on Richard Artschwager
Parkett Vol. 46

Quote from Parkett
“What is American about Artschwager’s objects goes beyond analogy—and there is more to it than the aggressive way they display their surface textures. Whether Formica or fiberboard, flowing grain or rigid pattern, their surfaces appear hermetic. Their sheer size further reinforces their presence as pure surface…They are like those organisms that have settled into extreme ecological niches, just below the boiling point of water, or in the anaerobic ocean depths. That is the kind of position that Artschwager’s objects occupy in the realm of art objects: By scale and texture, they have one foot in the world of objects and one foot in the world of art.”
Kurt W. Forster, Parkett No. 46, 1996

"Untitled (1000 Cubic Inches)", 1996 (for Parkett 46)
Plywood and pine with steel hardware,
Ed. 60/XL, signed, numbered, and dated on interior.
No. 1 ed. 1–12/60
No. 2 ed. 13–24/60
No. 3 ed. 25–36/60
No. 4 ed. 37–48/60
No. 5 ed. 49–60/60

Sold Out. For updates on availability, please inquire by joining our waiting list

Add To Cart

Read a Parkett Text on Richard Artschwager
Parkett Vol. 46

Quote from Parkett
“What is American about Artschwager’s objects goes beyond analogy—and there is more to it than the aggressive way they display their surface textures. Whether Formica or fiberboard, flowing grain or rigid pattern, their surfaces appear hermetic. Their sheer size further reinforces their presence as pure surface…They are like those organisms that have settled into extreme ecological niches, just below the boiling point of water, or in the anaerobic ocean depths. That is the kind of position that Artschwager’s objects occupy in the realm of art objects: By scale and texture, they have one foot in the world of objects and one foot in the world of art.”
Kurt W. Forster, Parkett No. 46, 1996

"Untitled (1000 Cubic Inches)", 1996 (for Parkett 46)
Plywood and pine with steel hardware,
Ed. 60/XL, signed, numbered, and dated on interior.
No. 1 ed. 1–12/60
No. 2 ed. 13–24/60
No. 3 ed. 25–36/60
No. 4 ed. 37–48/60
No. 5 ed. 49–60/60

Sold Out. For updates on availability, please inquire by joining our waiting list

Read a Parkett Text on Richard Artschwager
Parkett Vol. 46

Quote from Parkett
“What is American about Artschwager’s objects goes beyond analogy—and there is more to it than the aggressive way they display their surface textures. Whether Formica or fiberboard, flowing grain or rigid pattern, their surfaces appear hermetic. Their sheer size further reinforces their presence as pure surface…They are like those organisms that have settled into extreme ecological niches, just below the boiling point of water, or in the anaerobic ocean depths. That is the kind of position that Artschwager’s objects occupy in the realm of art objects: By scale and texture, they have one foot in the world of objects and one foot in the world of art.”
Kurt W. Forster, Parkett No. 46, 1996

"Untitled (1000 Cubic Inches)", 1996 (for Parkett 46)
Plywood and pine with steel hardware,
Ed. 60/XL, signed, numbered, and dated on interior.
No. 1 ed. 1–12/60
No. 2 ed. 13–24/60
No. 3 ed. 25–36/60
No. 4 ed. 37–48/60
No. 5 ed. 49–60/60

Sold Out. For updates on availability, please inquire by joining our waiting list


Artist Document
Richard Artschwager’s sketch shows detailed plans for the five wooden crates of his edition for Parkett 46. Each crate, though different in size, has the same volume of 1000 cubic inches.

artschwager-richard-sketch-46.jpg
 

Parkett Text
Read a selected text on Richard Artschwager

Parkett 46 Artschwager.jpg
 

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