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PARKETT books and editions on contemporary art
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All Editions Elizabeth Peyton | "Oscar and Bosie", 1998 | (for Parkett 53)
Peyton_Elizabeth_Parkett53.jpg Image 1 of
Peyton_Elizabeth_Parkett53.jpg
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Elizabeth Peyton | "Oscar and Bosie", 1998 | (for Parkett 53)

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Read a Parkett text on Elizabeth Peyton
Parkett Vol. 53

Quote from Parkett
“These are all people who I have made part of my daily life. I read about them or listen to their music for pleasure. I look for books about them, but I’m not even thinking about work at this point. Then I see a particular image of them and I really want to make pictures of them. And then I do it. It’s very seamless. Life and work are not so separated. You know that excitement when you’re walking down the street and you see someone who attracts you? Suddenly, just for a second, all possibilities are open.”
Elizabeth Peyton, interview with Linda Pilgrim, Parkett No. 53, 1998

"Oscar and Bosie", 1998 (for Parkett 53)
Two-color lithograph on hand-tinted Somerset Satin,
lightly finished with pear escent dust,
ca. 22 3/8 x 24 3/4” (58,4 x 62,1 cm),
printed by Maurice Sanchez and James Miller, Derrière l’Etoile Studio, New York,
Ed. 60/XX, signed and numbered

Sold Out. For updates on availability, please inquire by joining our waiting list

Add To Cart

Read a Parkett text on Elizabeth Peyton
Parkett Vol. 53

Quote from Parkett
“These are all people who I have made part of my daily life. I read about them or listen to their music for pleasure. I look for books about them, but I’m not even thinking about work at this point. Then I see a particular image of them and I really want to make pictures of them. And then I do it. It’s very seamless. Life and work are not so separated. You know that excitement when you’re walking down the street and you see someone who attracts you? Suddenly, just for a second, all possibilities are open.”
Elizabeth Peyton, interview with Linda Pilgrim, Parkett No. 53, 1998

"Oscar and Bosie", 1998 (for Parkett 53)
Two-color lithograph on hand-tinted Somerset Satin,
lightly finished with pear escent dust,
ca. 22 3/8 x 24 3/4” (58,4 x 62,1 cm),
printed by Maurice Sanchez and James Miller, Derrière l’Etoile Studio, New York,
Ed. 60/XX, signed and numbered

Sold Out. For updates on availability, please inquire by joining our waiting list

Read a Parkett text on Elizabeth Peyton
Parkett Vol. 53

Quote from Parkett
“These are all people who I have made part of my daily life. I read about them or listen to their music for pleasure. I look for books about them, but I’m not even thinking about work at this point. Then I see a particular image of them and I really want to make pictures of them. And then I do it. It’s very seamless. Life and work are not so separated. You know that excitement when you’re walking down the street and you see someone who attracts you? Suddenly, just for a second, all possibilities are open.”
Elizabeth Peyton, interview with Linda Pilgrim, Parkett No. 53, 1998

"Oscar and Bosie", 1998 (for Parkett 53)
Two-color lithograph on hand-tinted Somerset Satin,
lightly finished with pear escent dust,
ca. 22 3/8 x 24 3/4” (58,4 x 62,1 cm),
printed by Maurice Sanchez and James Miller, Derrière l’Etoile Studio, New York,
Ed. 60/XX, signed and numbered

Sold Out. For updates on availability, please inquire by joining our waiting list


Artist Document
Elizabeth Peyton’s edition for Parkett 53 "Oscar and Bosie“ (1998) portrays Oscar Wilde and his lover Lord Alfred Douglas.

 

Parkett Text
Read a selected text on Elizabeth Peyton

Parkett 53 Peyton Elizabeth.jpg

Artist Video
In this short video excerpt Elizabeth Peyton talks about some aspects of her art.


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