A Time Capsule | Digital e-book | Catalog Raisonné of All Works & Books Made by Artist for Parkett
This digital e-book book documents for the first time Parkett’s thirty three year time capsule and its core focus to explore and present the work of compelling artists in direct collaboration with them. Following the closing print issue 100/101, the book features all editions made by artists especially for Parkett, all volumes and their covers, a selection of art-ists sketches and letters, an index to all authors and texts, artists contributions to the closing print issue 100/101 and more. In her essay, Deborah Wye, curator of MoMA New York’s Parkett exhibition, looks at the various ways in which Parkett has collaborated with artists, including the books, texts, editions, inserts, spines, covers, and the design of the publication.
372 pages, texts in English by Deborah Wye, Curator emerita MoMA/New York et al., 21 x 25,5 cm / 8 1/4 x 10", 270 color illustrations of all editions
“… Parkett charts a vast array of changes that have swept through the art world since the 1980s … including not only the inevitable march of new and old ideas … but through Parkett’s history one can study the increasing interconnectedness of artistic centers across the globe and the impact of new technologies on artmaking. Parkett really is a special case... and has influenced artists in ways that stretch far beyond exhibition and publishing, and this influence will likely continue well into the future,” noted Glenn Phillips, curator and head of Modern and Contemporary Collections at the Getty Center in Santa Monica.
This digital e-book book documents for the first time Parkett’s thirty three year time capsule and its core focus to explore and present the work of compelling artists in direct collaboration with them. Following the closing print issue 100/101, the book features all editions made by artists especially for Parkett, all volumes and their covers, a selection of art-ists sketches and letters, an index to all authors and texts, artists contributions to the closing print issue 100/101 and more. In her essay, Deborah Wye, curator of MoMA New York’s Parkett exhibition, looks at the various ways in which Parkett has collaborated with artists, including the books, texts, editions, inserts, spines, covers, and the design of the publication.
372 pages, texts in English by Deborah Wye, Curator emerita MoMA/New York et al., 21 x 25,5 cm / 8 1/4 x 10", 270 color illustrations of all editions
“… Parkett charts a vast array of changes that have swept through the art world since the 1980s … including not only the inevitable march of new and old ideas … but through Parkett’s history one can study the increasing interconnectedness of artistic centers across the globe and the impact of new technologies on artmaking. Parkett really is a special case... and has influenced artists in ways that stretch far beyond exhibition and publishing, and this influence will likely continue well into the future,” noted Glenn Phillips, curator and head of Modern and Contemporary Collections at the Getty Center in Santa Monica.
This digital e-book book documents for the first time Parkett’s thirty three year time capsule and its core focus to explore and present the work of compelling artists in direct collaboration with them. Following the closing print issue 100/101, the book features all editions made by artists especially for Parkett, all volumes and their covers, a selection of art-ists sketches and letters, an index to all authors and texts, artists contributions to the closing print issue 100/101 and more. In her essay, Deborah Wye, curator of MoMA New York’s Parkett exhibition, looks at the various ways in which Parkett has collaborated with artists, including the books, texts, editions, inserts, spines, covers, and the design of the publication.
372 pages, texts in English by Deborah Wye, Curator emerita MoMA/New York et al., 21 x 25,5 cm / 8 1/4 x 10", 270 color illustrations of all editions
“… Parkett charts a vast array of changes that have swept through the art world since the 1980s … including not only the inevitable march of new and old ideas … but through Parkett’s history one can study the increasing interconnectedness of artistic centers across the globe and the impact of new technologies on artmaking. Parkett really is a special case... and has influenced artists in ways that stretch far beyond exhibition and publishing, and this influence will likely continue well into the future,” noted Glenn Phillips, curator and head of Modern and Contemporary Collections at the Getty Center in Santa Monica.