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PARKETT books and editions on contemporary art
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All Editions Markus Raetz | "Untitled", 1986 | (for Parkett 8)
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Markus Raetz | "Untitled", 1986 | (for Parkett 8)

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Read a Parkett text on Markus Raetz
Parkett Vol. 8

Quote from Parkett
“Since the 1960s, Markus Raetz has been playing with a perspective that is not mathematical but at once pragmatic and intuitive. It leads him to explore distortions obtained by certain—extravagances of perspective, sometimes pushed to the point of anamorphisis. Such works present a problematic of the function of sight, replacing the conventional hierarchy of the eye over the world.”
Claude Ritschard, Parkett No. 42, 1994

"Untitled", 1986 (for Parkett 8)
Aquatint and sugar lift on Zerkall-Vellum,
bound in the magazine,
10 x 16 1/2” (25,4 x 42 cm),
printed by Peter Kneubühler, Zurich,
Ed. 100/XV, signed and numbered

Sold Out. For updates on availability, please inquire by joining our waiting list

Add To Cart

Read a Parkett text on Markus Raetz
Parkett Vol. 8

Quote from Parkett
“Since the 1960s, Markus Raetz has been playing with a perspective that is not mathematical but at once pragmatic and intuitive. It leads him to explore distortions obtained by certain—extravagances of perspective, sometimes pushed to the point of anamorphisis. Such works present a problematic of the function of sight, replacing the conventional hierarchy of the eye over the world.”
Claude Ritschard, Parkett No. 42, 1994

"Untitled", 1986 (for Parkett 8)
Aquatint and sugar lift on Zerkall-Vellum,
bound in the magazine,
10 x 16 1/2” (25,4 x 42 cm),
printed by Peter Kneubühler, Zurich,
Ed. 100/XV, signed and numbered

Sold Out. For updates on availability, please inquire by joining our waiting list

Read a Parkett text on Markus Raetz
Parkett Vol. 8

Quote from Parkett
“Since the 1960s, Markus Raetz has been playing with a perspective that is not mathematical but at once pragmatic and intuitive. It leads him to explore distortions obtained by certain—extravagances of perspective, sometimes pushed to the point of anamorphisis. Such works present a problematic of the function of sight, replacing the conventional hierarchy of the eye over the world.”
Claude Ritschard, Parkett No. 42, 1994

"Untitled", 1986 (for Parkett 8)
Aquatint and sugar lift on Zerkall-Vellum,
bound in the magazine,
10 x 16 1/2” (25,4 x 42 cm),
printed by Peter Kneubühler, Zurich,
Ed. 100/XV, signed and numbered

Sold Out. For updates on availability, please inquire by joining our waiting list


Artists’ Contribution to Parkett 100/101

raetz markus brief für parkett 100-101.JPG
 

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Read a selected text on Markus Raetz

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Markus Raetz’s cover for Parkett no. 8

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