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Vol. 26 - 1990


Collaborations: tooltip

Günther Förg

Philip Taaffe

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Peter Greenaway

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André Thomkins

TABLE OF CONTENTS

At the Crossroads of Disciplines: An Economy of Regard

  • Author: Catherine Queloz
  • Artist: Günther Förg
  • Section: Collaboration

Modernism and Günther Förg’s Photographs

  • Author: John Caldwell
  • Artist: Günther Förg
  • Section: Collaboration

We Are Not Afraid. An Impossible Comparison

  • Author: Wilfried Dickhoff
  • Artist: Philip Taaffe / Günther Förg
  • Section: Collaboration

A propos Philip Taaffe

  • Author: Edmund White
  • Artist: Philip Taaffe
  • Section: Collaboration

Fragment on Ornament

  • Author: Francesco Pellizzi
  • Artist: Philip Taaffe
  • Section: Collaboration

Philip of Naples and the Evocative Geometry of History

  • Author: G. Roger Denson
  • Artist: Philip Taaffe
  • Section: Collaboration

Philip Taaffe: History Is in the Making

  • Author: Jeff Perrone
  • Artist: Philip Taaffe
  • Section: Collaboration

American Beuys: “I Like America & America Likes Me”

  • Author: David Levi Strauss
  • Artist: Joseph Beuys
  • Section: Miscellaneous / Varia

Poison is Effective; Painting is Not. Bice Curiger in Conversation with Sigmar P…

  • Author: Bice Curiger / Sigmar Polke
  • Artist: Sigmar Polke
  • Section: Miscellaneous / Varia

Roman Signer’s Concept of Sculpture

  • Author: Hans Ulrich Obrist
  • Artist: Roman Signer
  • Section: Miscellaneous / Varia

The Late Twentieth Century

  • Author: Peter Fleissig
  • Section: Balkon

“Dead Ringers” Dissected: Some Images

  • Author: Bette Talvacchia
  • Artist: David Cronenburg
  • Section: Les Infos du Paradis

Cumulus

  • Author: Group-Material

The Finiteness of Freedom. An Exhibition in Berlin, 1990

  • Author: Hans Dickel
  • Section: Cumulus

Out of print